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"Are
OBEs some kind of hallucination?"
There is no
single accepted definition of hallucinations and it
is not clear just how they relate to sensory
perception, illusion, dreams and imagination.
However, let us define an hallucination as an
apparent perception of something not physically
present, and add that it is not necessary for the
hallucination to be thought 'real' to count. Into
this category come a wide range of experiences
occurring in people, not suffering from any mental
or psychiatric disturbance. Visual imagery may
occur just before going to sleep (hypnagogic), on
first waking up (hypnopompic) or they may be
induced by drugs, sensory deprivation,
sleeplessness, or severe stress. They may take many
forms, from simple shapes to complex scenes.
Although it is possible to have an hallucination
involving almost any kind of imagery, it has long
been known that there are remarkable similarities
between the hallucinations of different people,
under different circumstances. Hallucinations were
first classified during the last century during a
period when many artists and writers experimented
with hashish and opium as an aid to experiencing
them. In 1926 Kluver began a series of
investigations into the effects of mescaline and
described four constant types. These were first the
grating, lattice or chessboard, second the cobweb
type, third the tunnel, cone or vessel, and fourth
the spiral. As well as being constant features of
mescaline intoxication in different people, Kluver
found that these forms appeared in hallucinations
induced by a wide variety of conditions.
In the 1960s, when many psychedelic drugs began to
be extensively used for recreational purposes,
research into their effects proliferated. Leary and
others tried to develop methods by which
intoxicated subjects could describe what was
happening to them. Eventually Leary and Lindsley
developed the 'experiental typewriter' with twenty
keys representing different subjective states.
Subjects were trained to use it but the relatively
high doses of drugs used interfered with their
ability to press the keys and so a better method
was needed.
A decade later Siegel gave subjects marijuana, or
THC, and asked them simply to report on what they
saw. Even with untrained subjects he found
remarkable consistencies in the hallucinations. In
the early stages simple geometric forms
predominated. There was often a bright light in the
center of the field of vision which obscured
central details but allowed images at the edges to
be seen more clearly, and the location of this
light created a tunnel-like perspective. Often the
images seemed to pulsate and moved towards or away
from the light in the center of the tunnel. At a
later stage, the geometric forms were replaced by
complex imagery including recognizable scenes with
people and objects, sometimes with small animals or
caricatures of people. Even in this stage there was
much consistency, with images from memory playing a
large part.
On the basis of this work Siegel constructed a list
of eight forms, eight colors, and eight patterns of
movement, and trained subjects to use them when
given a variety of drugs (or a placebo) in
controlled environment. With amphetamines and
barbiturates the forms reported were mostly black
and white forms moving aimlessly about, but with
THC, psilocybin, LSD and mescaline the forms became
more organized as the experience progressed. After
30 minutes there were more lattice and tunnel
forms, and the colors shifted from blue to red,
orange to yellow. Movement became more organized
with explosive and rotational patterns. After 90 -
120 minutes most forms were lattice-tunnels; after
that complex imagery began to appear with childhood
memories and scenes, emotional memories and some
fantastic scenes. But even these scenes often
appeared in a lattice-tunnel framework. At the peak
of the hallucinatory experience, subjects sometimes
said that they had become part of the imagery. They
stopped using similes and spoke of the images as
real. Highly creative images were reported and the
changes were very rapid. According to Siegel
[Sie77] at this stage 'The subjects
reported feeling dissociated from their bodies.'
The parallels between the drug-induced
hallucinations and the typical spontaneous OBE
should be obvious. Not only did some of the
subjects in Siegel's experiments actually report
OBEs, but there were the familiar tunnels and the
bright lights so often associated with near-death
experiences. There was also the 'realness' of
everything seen; and the same drugs which elicited
the hallucinations are those which are supposed to
be conducive to OBEs.
There have been many suggestions as to why the
tunnel form should be so common. It has sometimes
been compared to the phenomenon of 'tunnel vision'
in which the visual field is greatly narrowed, but
usually in OBEs and hallucinations the apparent
visual field is very wide; it is just formed like a
tunnel. A more plausible alternative depends on the
way in which retinal space is mapped on cortical
space. If a straight line in the visual cortex of
the brain represents a circular pattern on the
retina then stimulation in a straight line
occurring in states of cortical excitation could
produce a sensation of concentric rings, or a
tunnel form. This type of argument is important in
understanding the visual illusions of migraine, in
which excitations spread across parts of the
cortex.
Another reasonable speculation is that the tunnel
has something to do with constancy mechanisms. As
objects move about, or we move relative to them,
their projection on the retina changes shape and
size. We have constancy mechanisms which compensate
for this effect. For very large objects,
distortions are necessarily a result of
perspective, and yet we see buildings as having
straight wall and roofs. If this mechanism acted
inappropriately on internally generated spontaneous
signals, it might produce a tunnel-like
perspective, and any hallucinatory forms would also
be seen against this distorted background.
In drug-induced hallucinations there may come a
point at which the subject becomes part of the
imagery and it seems quite real to him, even though
it comes from his memory. The comparison with OBEs
is interesting because one of the most consistent
features of spontaneous OBEs is that the
experiencers claim 'it all seemed so real.' If it
were a kind of hallucination similar to these
drug-induced ones then it would seem real. Put
together the information from the subject's
cognitive map in memory, and an hallucinatory state
in which information from memory is experienced as
though it were perceived, and you have a good many
of the ingredients for a classical OBE.
But what of the differences between hallucinations
and OBEs? You may point to the state of
consciousness associated with the two and argue
that OBEs often occur when the person claims to be
wide awake, and thinking perfectly normally. But so
can hallucinations. With certain drugs
consciousness and thinking seem to be clearer than
ever before, just as they often do in an OBE. An
important difference is that in the OBE, the
objects of perception are organized consistently as
though they do constitute a stable, physical world.
But such is not always the case; there are many
cases which involve experiences beyond anything to
be seen in the physical world.
Consideration of imagery and hallucinations might
provide some sort of framework for understanding
the OBE. It would be seen as just one form of a
range of hallucinatory experiences. But (and this
is a big but) if the OBE is basically an
hallucination and nothing actually leaves the body,
then paranormal events ought not necessarily to be
associated with it. People ought not to be able to
see distant unknown places or influence objects
while 'out of the body'; yet there are many claims
to such an effect.
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